Philosophy


8
May 12

A Lovely Sight

But what do I love, O God, when I love Thee? Not the beauty of a body nor the rhythm of moving time. Not the splendor of light, which is so dear to the eyes. Nor the sweet melodies in the world of sound of all kinds. Not the fragrance of flowers, balms and spices. Not manna and not honey; not the bodily members which are so treasured by carnal embrace. None of this do I love when I love my God. And yet I do love a light and a sound and a fragrance and a delicacy and an embrace, when I love my God, who is light and sound and fragrance and delicacy and embrace to my interior man. There my soul receives a radiance that no space can grasp; there something resounds which no time can take away; there something gives a fragrance which no wind can dissipate; there something is savored which no satiety can make bitter; there something is embraced which can occasion no ennui. This is what I love when I love my God.

Our feet of flesh feel so firmly planted on the earth, while our spirits ache to soar beyond this mortal vale. How often we perceive the intangible aspects of our selves as a wisp of smoke or a transparent ghost, through which the solid chucks of rock that form our home can pass without a care.

The modern world has in many respects slain the soul, standing in triumphant stance, yet even as this withered notion lies dying at our feet we still feel the tug towards something more, something good, something beautiful. Perhaps we have finally noticed, too late to resuscitate an asphyxiated spirit, allowing our even our art to become simply an artifact.

It’s easy to divide ourselves into two, but this divorce can only end in murder. For if to have the feeling, to see the sight or to hear the sound is nothing beyond the sense in its action, the reception becomes more real than the receiver, until even the reception loses all meaning and coherence.

Or the ideal may have its revenge, and only the spiritual has solid form- these bodies of flesh at best a temple, at worst a prison.

The biblical picture of man is not rooted in a tension between body and soul, but in the wholeness of the union, without which each cannot be truly itself. In fact, it would not be an itself at all.

There is instead the radical notion that this fragile frame of bone and blood is who I am; without it I as who I am would have no coherence. We can feel the frustration of the seeming limitation of embodiment, but the irony is that this very feeling is in itself the vindication. It opens up the space in which I can approach the world, in which I can commune with God.

This embodied nature of our existence molds and shapes the way we relate to reality. In this manner our senses are not just a purely physical action, a mode of perceiving the data of the world or receiving the images around us. Rather, there is a spiritual analogue to sense, as St. Augustine suggests in the opening passage.

To be open to the world that God has created, to be open to love- these demand of us a willingness to receive. Much like the eyes must be open to see, and in the act of seeing offer a stance of humility to the world, so our entire posture of self in relation to God must be one of acceptance, ever ready to be dazzled by the sublime or content with the mundane. After all, while an eclipse may take our breath away, the awe of a sunset is no less for its regularity.

In this manner, the way in which we perceive reality in all its panoply is wholly conditioned by the way in which we receive it- either with gratitude and humility, or entitlement and resentment. If we open ourselves to God, we must do so with eyes wide open.

Our senses are such that we are by default always ready for the new, for the unknown. In fact, the very embodied nature of our being routinely expects the unexpected. Yet when it comes to our posture towards the divine we often settle for silence, never waiting with baited breath or anticipating anything beyond the shallowness we far too often bring to the altar.

As Dionysius the Areopagite states, we know of God that he is and what he is not. Such knowledge implicitly creates the divide, for if we are, then we are what God is not. This tension forms the chasm we seek to bridge, a divide distilled deep in our being. Our eyes feel too physical, and even to gaze beyond seems a fool’s errand.

But in Jesus the God who is what we are not becomes what we are. The sight in which all being has its foundation finds itself within that field of view. This perfect union of God and Man directs us to see the underlying reality of what it is to be: To truly be what we are we must become what God sees of us.

If our sight (as in the thought of St. Thomas) is by its very constitution present to things external to itself, then to be in union with God is to be present and open to God’s being, in an analogy of how God is always present and open to us. This vision of finding itself within the gaze of Seeing itself is nothing less than the Beatific Vision, which is, in the Incarnation, finally shown to be both the Beginning and the End of our being.

Here we discover Beauty in all its fullness and in all its irresistibleness, in all its fire and in all its purging. Desire which could be quenched but left destitute for the filling now finds depths it never knew, a satiety that overflows. It is not merely the intellection of a mind nor the perception of a spirit, but even (and necessarily) the feeling where the totality of who we are are in our body-soulness ceases its struggle against itself and finally rests at ease in the presence of its Creator.

This attitude is the relinquishing of flight, the gladly acknowledged peace of the blissful humility of not being God.1 For God has taken the burden, so to speak, of becoming man upon himself. The early church’s axiom was that which was not assumed was not healed. The Incarnation is not simply a salve on the wound, but a complete transformation; not a changing that leaves itself behind but a transfiguration that carries itself to greater heights. Our flesh has ceased being an obstacle; it has become a means and a mediation. It has ceased being a veil to become a perception.2

God does not call us away from our senses but rather makes them the locus for meeting with him. Jesus didn’t require that Thomas disdain the viscerality of his doubts, to subsume them under a flesh-less faith, but instead stretched forth his hands so Thomas could touch the wounds.

Love alone, according to St. Augustine, is capable of sight.

To love God is to be open to reality with gratefulness, to be present to God in the totality of our being. In this way we receive, and since God is the source of love, this is the way we love.

  1. Hans Urs von Balthasar, Seeing the Form
  2. Paul Claudel, Sensation du Divin’

26
Apr 12

General Board of Silly Walks, Part Deux

For those within United Methodism (or even on the periphery) THAT time of year has come. Slightly more exciting than the extra day bestowed upon us every leap year is the Olympics of UMC-dom: General Conference.

I know, it’s the awkward moment when you missed out on getting tickets to an event unrivaled in suspense, action and scope. But never fear, it’ll happen again in 2016.

Anyway, I generally try to maintain a safe distance from these types of things, as anything that even potentially involves Robert’s Rules of Order has the high likelihood of rendering me comatose. The world could be caught in the event horizon of a passing black hole, and no doubt some delegate would move to pass rules that any resolution should avoid language that could be construed as non-inclusive of black holes, quasars, strings, quantum fields or any other cosmological phenomenon. Even in the multiverse (which no doubt will be assigned a paragraph in the Discipline) there would more than likely be no deviation, even granting infinite possibilities.

However, this year promises to raise the bar of fervency to near cooling-ember levels as restructuring is on the docket.

One might be forgiven for expecting the typical hot-button issues that splatter themselves across every news outlet, twitter feed and blog. One might also be absolved for anticipating wider-ranging topics to seat themselves smack dab in the middle, performing the role of the slightly eccentric, annoying yet positively entertaining weird uncle.

Not so here. In United Methodism nothing stokes the fires of ardor more rapaciously than restructuring. When logistics, structure and procedures are at stake, people take action. It starts with about 2 to 3 hours of deciding rules. It’s so absorbing that they even live stream this stuff over the internets. How could that not be amazing! Continue reading →


29
Mar 12

Social Justice is Not a Virtue

Social justice is one of those terms that has always perplexed me. My exposure to it is relatively recent, (within the last six years) but it has been bandied about so frequently within the intervening time that I couldn’t help but try and sort out what is meant by it.

Which is harder than one might think. The term itself seems innocuous enough- after all, justice is (presumably) a good and desirable thing. And attaching the prefix social to it also seems harmless enough- who doesn’t want justice within the social sphere?

Initially I didn’t approach any presentation of social justice with a high degree of critical thinking. It amounted to a term that was simply floated out there with little to no definition or explication, as if it was something self-evident. Given the religious context in which I generally encounter the term, it is often employed alongside appeals to Christian ethics: feeding the poor, clothing the destitute, etc. How this makes the leap from charity to justice (and whatever is meant by social justice) is, in my experience, never sufficiently addressed or reconciled. Continue reading →


25
Jan 12

Toward the Beautiful

I wrote a guest article for CreationSwap entitled Toward the Beautiful on the metaphysical underpinnings of beauty and how that relates to the role of an artist in the work of creating art. Check it out here.


2
Aug 11

Art and a Deal with the Devil

I happened across an interesting insight yesterday while sitting in a waiting room. I have never read Faust, and so I opened it up on my phone to start reading. I have a fairly vague notion of the overall plot of the book, and so when I started reading I was unsure if I was reading some kind of preface, the wrong book, or something else entirely.

I discovered that Faust begins with a prelude in which the play-house Manager, the Poet (who writes the plays) and the Merry-Andrew (a jester) are talking about their upcoming play, (the actual plot of Faust) a first for them on the German stage. The Manager is nervous because he believes the Germans to be well-read, and to thus expect a spectacle that has never been seen before. Therefore, he desires a play that is fresh and new, something that will set the crowd ablaze with passion and delight, enough that throngs are rushing and shoving to procure tickets. In anticipation, he turns to the Poet to deliver. Continue reading →


28
Jul 11

Love Wins (no, really it does)

The Divine Eros Defeats the Earthly Eros by Giovanni Baglione

This past week I worked my way through Rob Bell’s ‘Love Wins.’

I realize I am rather late to the party, and, to belabor the metaphor, I was actually quite content to not even attend the party at all, as I find most books written by  prominent contemporary mega-church pastors to be dreadfully boring with nothing terribly interesting to say.

Love Wins was certainly no exception. To be fair, I was not expecting much. A few years ago I attempted to read Velvet Elvis and simply could not bring myself to stay awake long enough to read it.

Not even half of it.

Obviously, my previous sentence is slightly tongue in cheek- while it is actually true that I only managed about 40% of the book, the use of a single statement offset from a paragraph for emphatic effect is meant to be demonstrative of the (near) entirety of Rob Bell’s writing style.

Excellent point. Continue reading →


23
Jul 11

The Art of Purgatory

To course across more kindly waters now,
my talent’s little vessel lifts her sails,
leaving behind herself a sea so cruel;

and what I sing will be that second kingdom,
in which the human soul is cleansed of sin,
becoming worthy of ascent to Heaven.
1

Dante’s Divine Comedy is perhaps best known for its first part- Inferno- in which Dante is led by the poet Virgil through Hell. Less familiar is Purgatorio, the second part in Dante’s continuing saga; yet in this kingdom of cleansing we find a profound approach to beauty and art.

While Dante certainly understood Purgatory to be an actual reality, Purgatorio is nevertheless additionally an allegory, which is immediately signaled by one constant fact: Dante is still alive. It is into this realm of purgation and refining where the crooked loves and affections of the soul are straightened out and purified that Dante discovers the way to heaven that lies open even to those who still cling to this mortal coil. Purgatorio becomes a description of this life now, and as Dante encounters the art of Purgatory, he encounters the entrance to the contemplation of beauty, which leads ultimately to the love of God. Continue reading →

  1. Dante, Purgatorio, Canto 1.1-3

15
Jun 11

The Golden Bird

This installment of my church fathers paraphrases comes from St. John Chrysostom.

St. John was born in Antioch around A.D 347. In his early life he was engaged in classical studies, but the influence of the bishop Meletius caused him to turn to the ascetic and religious life. He began as a lector in Antioch, later became a deacon and around 386 was ordained to the priesthood.

In 397 John was appointed to the bishopric of Constantinople, which would mark a turning point in his life. Up to that point he had desired the monastic life in seclusion, but was suddenly thrust into a prominent position in one of the largest and most important cities in the empire. For John it was a very difficult transition, as he was forced into a quagmire of politics. The church at Constaninople was in need of reform, and John began with what would later be called ‘sweeping the stairs from the top.’ The reaction was mixed. Chrysostom was unsparing in his railing against the extravagances of the rich, and in due course drew their ire. However, he was also incredibly eloquent, and the people of Constantinople were enthralled which he preaching, sometimes even applauding him in church. This eloquence earned him the surname ‘Chrysostom,’ which means ‘golden-mouthed.’ Continue reading →


17
Jan 11

The Distance Between Us is The Closer We Become

++

Love, which is the highest level of union, only takes root in the growing independence of the lovers; the union between God and the world reveals, in the very nearness it creates between these two poles of being, the ever greater difference between created being and the essentially incomparable God.1

The Council of Chalcedon declared that Christ was “to be acknowledged in two natures, inconfusedly, unchangeably, indivisibly, inseparably; the distinction of natures being by no means taken away by the union, but rather the property of each nature being preserved, and concurring in one Person and one Subsistence, not parted or divided into two persons, but one and the same Son, and only begotten God, the Word, the Lord Jesus Christ…” This confession was the result of a protracted and tumultuous period of theological reflection, if the term reflection can include bitter invective and fierce confrontation, both intellectually and physically. The Confession of the Chaceldon, while bringing one chapter of Christological controversy to a close, in that it clarified some things about the relation of the divine nature to the human nature in the person of Jesus Christ, also opened the floodgates of schism. After all, when certain ideas and beliefs are not definitively articulated, there is a much wider berth granted towards what one can theologically hold. In respect to the union of the divine and human natures in Christ at least, Chalcedon allowed no one to sit on the fence. Continue reading →

  1. Hans Urs Von Balthasar, Cosmic Liturgy: The Universe According to Maximus the Confessor, p. 64

18
Dec 10

Word Up (or down, as the case may be…)


Google Labs has a new Ngram tool where you can compare results for specified words from within Google’s collection of scanned books. Simply input whatever words you wish, and nearly instantly you can track its usage over the specified time range. (Granted, for some words you probably need to already have some familiarity of when it started to be used in literature.) Continue reading →